Photography and Videography requires a lot of effort to get the perfect frame. The effort increases exponentially when the output is not what you desired and you spent hours to get that one shot.Along with this, if you’re a professional filmmaker or a cinematographer, you can’t rely on the small screen of a DSLR or HDSLR. You have to take care of the aspect ratio, object ratio e.g. whether to put your subject in the rule of thirds or golden ratio.This is why we created best DSLR camera monitors article.
Thanks to technology, we don’t have to rely on our estimation; we can use cool gadgets to get our work done. So, DSLR camera monitors can be used to solve all the above problems. DSLR camera monitors are simply some screens that can be attached to the cameras (most of them). There are various DSLR camera monitors in the market like, Lilliput, Marshall,Aputure and other small monitors like SmallHD , Ikan that serve a different type of consumers in different ways.
Now, the question appears which one is the best to use. Here we’ve jotted down the top 10 Best DSLR Camera Monitors for you.
- Comparison Table For Best DSLR Camera Monitors 2019
- 1.Feelworld FW759-Best Budget DSLR Camera monitor
- 2.Lilliput 667GL-70NP/H/Y
- 3.Lilliput 668GL – Best DSLR Camera Monitor Under $ 200
- 4.Marshall Electronics M-CT7 – Best DSLR Camera Monitor 2019
- 5.Aputure VS-2 FineHD
- 6.Atomos 4.3″ Ninja 2
- 7.Blackmagic Design Video Assist
- 8.Marshall Electronics V-LCD50-HDI
- 9.Ikan DH7
- 10.SmallHD 501
- Buyer’s guide:
Comparison Table For Best DSLR Camera Monitors 2019
|Feelworld FW759（Best Budget DSLR Camera monitor）||1280x800||7 inch|
|Lilliput 667GL-70NP||800x480||7 inch|
|Lilliput 668GL-70NP（Best DSLR Camera Monitor Under $ 200）||800x480||7 inch|
|Marshall Electronics M-CT7 （Best DSLR Camera Monitor 2017）||1920x1440||7 inch|
|Aputure VS-2 FineHD||1920x1200||7 inch|
|Atomos 4.3" Ninja 2||800x480||4.3 inch|
|Blackmagic Design Video Assist||1920x1080||5 inch|
|Marshall Electronics V-LCD50-HDI||1280x960||5 inch|
|ikan DH7||1920x1200||7 inch|
|SmallHD 501||1920x1080||5 inch|
1.Feelworld FW759-Best Budget DSLR Camera monitor
Starting with the FeelWorld, a Chinese brand found in 2009, is engaged in the manufacturing of the industrial touchscreen control monitors.
The FW759 on-camera monitor along with sunshade and HDMI lock, is a field monitor that uses an IPS panel providing a bright output of 400 cd/m² (max) and a color contrast ratio of 800:1.
Its Wide angle view of 178 x 178° allows one to see consistent, accurate, and bright images from virtually any angle. An extensive color range and a resolution of 1280 x 800 ensure that the DSLR camera monitor produces precise colors.
The FW759 has multiple input options like HDMI and AV and supports most of the DSLRs and camcorders.
The FW759 monitor includes a peaking focus assist function. This allows you to obtain the sharpest picture possible, which is extremely effective in bright light. It comes with a folding sun shield that can be quickly clipped on to get rid of unwanted glare.
* Supports Canon 5D Mark II, Check field (red, green, blue, mono) functions, and pixel-to-pixel function
* It also supports center and safe marker (80%, 85%, 90%, 93% and 96%)
* It supports image flipping (both horizontal and vertical) and image freezing.
* There is an HDMI lock to avoid stress on the cable.
* Its thickness is 17mm.
* It has got a portable light that is compatible with Steadicams, DSLR rig, handheld stabilizers and camcorder kits.
|√ Lightweight and thin |
√ Comes with micro HDMI cable
√ Accepts all camera’s output via HDMI
√ Sharp and accurate focus
√ Accepts all video formats, up to 1080p
|⊗ Poor colors |
⊗ Long startup time
⊗ Focus peaking is badly implemented
⊗ No AC adapter included
⊗ Can’t get proper aspect ratio with GH2
Lilliput has been delivering both standardized and customized products for last 24 years. Its major products are DSLR camera & field monitors, FPV monitors, touch VGA and HDMI monitors for industry, USB monitors, Marine Monitors, Medical Monitors and other LCD displays. There are some good camera monitors such as 663 series, 569 series, 5D-II series, 665 series and 667 series. we’re reviewing today is 667GL-70NP/H/Y and 668GL-70NP/H/Y
Lilliput 667GL70NP/H/Y on camera video monitor has a resolution of 800 x 480 contrast ratio of 500:1. Lilliput 667GL supports NTSC and PAL compatible signals and has an HDMI and Composite inputs. It has a built-in speaker, an IR remote control, and a sun hood. The IR receiver is on the face of the monitor along with a battery power indicator, volume up/down buttons, left/right select buttons, a menu button, an input select and a power button.
This DSLR camera monitor provides you control on display’s contrast, brightness, saturation, tint, and color temperature. The monitor can be powered by the included battery plates, the built-in coax connector or an optional 4-pin XLR connector.
* 7-inch monitor with wide screen aspect ratio
* Designed for pro video makers
* High contrast ratio
* Enhanced brightness and great outdoor performance
* Included Battery plates
* HDMI and component composite through BNC connectors
|√ Custom RGB and 3 presets |
√ Light Weight
√ 2 mount points
√ Includes AC adapter and a remote
|⊗ No screen native resolutions over HDMI |
⊗ Battery indicator is always on screen ifAC is not connected
⊗ No minijack audio input
⊗ Does not include HDMI and hot shoe mount
3.Lilliput 668GL – Best DSLR Camera Monitor Under $ 200
Lilliput 668GL-70NP/H/Y HDMI DSLR camera field monitor provides a resolution of 800×480 to get the best result of your images and videos and get best focus and exposure for you. It supports inputs of both analog and digital source, Its display is of 16:9 aspect ratio that fits most of the outputs from HD camcorders without pillarboxing or letterboxing the image and ensuring that the full-screen resolution is used.
On the back panel, this Lilliput monitor has HDMI input that can support DSLR cameras and latest camcorders with HDMI outputs, which can be up to 1080p resolution. For legacy cameras and analog equipment, a component called YPbPr can be used. The dual composite video BNC inputs are also available though.
For wide viewing angles & accurate colors, this DSLR camera field Lilliput monitor has an IPS display with anti-glare finish and features a contrast ratio of 500:1 for punchy images.
A sun hood is also included for preventing excess glare when used in outdoors. A built-in battery provides up to 3 hours of use on a full charge for the case of power.
In absence of that, a 6-20 VDC power source can also be used input via the barrel jack. A ball mount is also there for securing the monitor over a camera using an available hot shoe mount.
* 7″ camera-top monitor with 16:9 aspect ratio
* 500:1 contrast ratio
* Enhanced 450 cd/m2 backlight
* IPS panel offers 130° horizontal and 120° vertical wide viewing angles
* Built-in 2,200mAh Li-ion battery
* Shoe mount adapter included
|√ Lightweight |
√ Accessories(hot shoe, HDMI & sun visor) included
√ Full-screen playback without overlay info
√ Large and shows crispy images
|⊗ Saturation is a bit bad|
4.Marshall Electronics M-CT7 – Best DSLR Camera Monitor 2019
The Marshall Electronics M-CT7 7″ on camera field monitor is an 800 x 480 resolution LCD monitor that can be attached directly to a DSLR or HD video camera. Marshall Electronics offer optional batteries to fit M-CT7 series camera-top monitors. Such as BP-511-C, BP-EN-EL15-N, BP-EN-EL-N, BP-LPE6-C. Please go through the detailed M-CT7 monitor’s battery assemblies.
This DSLR camera monitor includes an HDMI input that supports 1080i at 60fps and 720p at 60fps input signals, a VGA input that can support input resolutions of up to 1920 x 1440, and a 3.5mm AV input that provides dual composite video inputs and a single audio input through an included AV breakout cable. The 7″ monitor enables you to focus on your shots clearly and eliminate the guesswork from framing that is a great tool for photographers and videographers.
Capture images and/or record videos in difficult spots without stools, ladders, or any other dangerous climbing stunts. Other monitor features include a back speaker for auto aspect ratio detect, audio monitoring, image flip/flop, and color temperature adjustment for both HDMI and PC. The DSLR camera monitor is powered by a standard DSLR battery, which is highly helpful to mobile monitoring.
* 7″ LCD field monitor that can be attached directly to DSLR cameras or HD video cameras
* Resolution of 800 x 480 that can support both 1080i60 and 720p60 HDMI input signals, and VGA resolution up to 1920 x 1440
* HDMI and VGA inputs, also dual composite video inputs and a single audio input (via A/V breakout cable)
* Rear speaker for audio monitoring, image flip/flop, color temperature adjustment (HDMI/PC) and auto aspect ratio detect.
* Is powered via a standard DSLR battery, which is highly helpful to mobile monitoring
* The supplied accessories include a standard HDMI cable, mini-HDMI to HDMI cable, an A/V cable, a cigarette lighter adapter, an AC/DC power supply, a shoe mount adapter, and an IR remote control.
|√ Includes HDMI and AV cables |
√ Menus are simple and straightforward
√ Nice image rendering
|⊗ Heavyweight |
⊗ Insufficient resolution for critical focus
Aputure was founded in 2005 and specialize in a wide variety of accessories for both digital filmmakers and photographers that including LED Lights, Monitors, Rigs/Stabilization, Follow Focus Systems, Microphones, External Flash Units and Lens Adapters.
The VS-2 FineHD 7” external field monitor screen from Aputure features a resolution of 1920 x 1200 and displays sharp images, color reproduction, and clear text regardless of the shooting conditions.
The camera monitor features 2.3 million pixels with a pixel density of 323 PPI. With a brightness of 450 cd/m2 and 1200:1 contrast ratio to get a crispy image, it features 160° vertical and 160° horizontal viewing angles.
The HDMI, SD/HD component, and composite inputs are able to handle most video signals including UHD 30, 25, and 24 fps with the 2.4 firmware update. The Built-in display functions feature center marker, aspect ratio selection, monochrome display in gray, red, green, or blue, and H/V flip.
The VS-2 also includes histogram, false color, peaking, zebra bars, and a volume bar display. With the front panel mounted controls for power, input selection, and menu, you can adjust the safe area guides as well as center marker, and the monitor’s flexible power options allow you to power via the coax connector or optional Sony F970, F550, and NP-FM500H type batteries.
It also incorporates a 1/4″-20 threaded mounting hole and features a ball joint accessory shoe mount along with removable sun hood
* Provides more information to improve shooting efficiency with extra OSD.
* New cables (HDMI A to D type). And Power adapter cable(D to DC)
* Supports various signal inputs (HDMI, YPbPr, and AV)
* Double power supply
* Speaker & headset stereo output
* Firmware updates via USB
* Six language choices
|√ True HD, focus peaking, zebrastripes for zooming |
√ 1x, 2x, & 5cx zooming
√ Articulated Arm for weight balancing
√ NP-F550 battery and charger included
|⊗ 50hz mode doesn’t work properly |
⊗ Image is darker than on GH4 monitor
⊗ Hood covers the screen
The Atomos Ninja 2 video recorder monitor is an HDMI monitor built with an 800 x 480 resolution monitor, can record up to 1080/30p/60i resolution directly from camera’s sensor. It can record to an optional HDD or SSD using Apple’s ProRes or Avid’s DNxHD edit-ready codecs.
The Ninja 2 supports 10-bit 4:2:2 color sampling for vivid and sharp images greater than most DSLR internal recording capabilities, and you can also record 8-bit video in Ninja 2. Built-in tools such as zebra bars and false colors provide useful utilities in exposing the footage, while the built-in focus peaking alerts you about the out of focus shots that may be difficult to see on a DSLR monitor.
The 4.3″ touch screen in Ninja 2 has a resistive touchscreen that works with pressure, allowing you to operate the touch screen with your fingers, even with wearing gloves, which proves to be very important when you’re working in the cold.
The Ninja 2 features anti-shock technology that allows continuing recording even if your HDD has skipped a few frames from being jarred. The Caddy system allows you to choose an optional 2.5″ SSDs or HDDs with your Ninja 2. SmartLog editing tools allow you to mark selects during recording or playback and can save you time when you go to edit.
It includes two drive caddies, a docking station that unloads these drives to your laptop or computer via USB 3.0/2.0, as well as a Sony-type NP-F570 battery, charger, AC adapter for continuous power, a Nikon EN-EL15-type adapter, Canon LP-E6-type battery adapter.
If you’re a professional movie maker you probably won’t have time to press a lot of buttons in a sequence to get into the settings to even just change the contrast. Therefore, having a touchscreen is the best option for you to get the stuff you need with just a touch.
* The Ninja 2 4.3 inch DSLR camera monitor supports SD or HD sources and encodes it in real-time to 10-bit, 4:2:2 Apple ProRes or Avid DNxHD up to 220Mbps.
* You can adjust the volume of the headphone amplifier.
* Touch audio can adjust 4 channels of audio.
* Displays native format from the source signal. E.g.1080i 59.94.
* It shows which battery is currently being used. We can replace the one that isn’t being used. The active battery slot is illuminated in orange.
* You can choose between Time of Day, On Board, Record Run or Auto Restart timecode modes or use external timecode from camera or any source input.
* You can put the name of your Ninja 2 DSLR camera monitor by project or camera. Media drives and recorded files are then named with the unit name on formatting.
* It also shows remaining record time. The remaining time is calculated continuously and is based on the bitrate of the current recording format and the capacity of the memory drive.
|√ Inexpensive |
√ Large storage capacity
√ Lower power consumption due tothe use of SSD saves energy
√ Easy to use
|⊗ Difficult to see on a sunny day |
⊗ User Interface lags
Add professional high-quality recording and monitoring to almost any camera with Blackmagic Design video assist portable field monitor screen. It has a 5″ 1920 x 1080 display to let you focus and frame your shots, and provides HDMI and 6G-SDI inputs for recording the video from any professional or consumer level cameras.
The Video Assist records 10-bit 4:2:2 video up to 1080p60 to high-speed U1 SDHC/XC memory cards using Apple ProRes (HQ, 422, LT, or Proxy) and Avid DNx codecs. Its touchscreen interface allows you to access monitoring features and adjust settings such as histogram, zebra, focus peaking, audio meters, time-code display, and much more. An 110-240V AC power adapter is included to juice up the monitor.
Blackmagic Design Video Assist 5″ Portable Field Monitor has dual battery slots on the rear that you can use to power up the monitor using Canon LP-E6 type batteries.
* 5″ Full HD 1080p Display
* Touchscreen User Interface
* 6G-SDI and HDMI Connections
* 10-Bit 4:2:2 ProRes & DNxHD Recording
* Histogram and zebra overlays for exposure assist
* Focus Peaking and Central Zoom to help focus
* Time-code over SDI and HDMI
* You can control settings on Blackmagic Micro Cinema Camera
* It has an aluminum housing
* Includes Built-in kickstand
* Six 1/4″-20 threaded mounting holes (3 on top, 3 on bottom)
|√ Best price |
√ With HDMI and SDI port
√ Full HD 1080p display
√ Sturdy build
|⊗ Calibration controls are very basic|
The field monitor screen delivers tremendous brightness and sharpness and supports a wide range of formats and markers, and offers nifty viewing angles. Major monitor controls such as brightness, color and contrast can be easily accessed from the field monitor’s front. There are also 4 preset keys so, at the touch of a button, the videographer or filmmaker can instantly access often used functions to save his/her precious time.
The monitor offers a number of test tools including False Color and Peaking Filter functions to help the videographer maintain the optimum image quality through various lightings and scene scenarios.
The false Color filter is used to maintain a natural look for people and objects when there’s a change in a camera’s brightness and/or luminance levels. Peaking Filter has a color to black and white changeover method to help determine what areas of the image are lacking in sharpness or focus. The videographer can shoot with greater confidence, knowing what is shown on the screen is an accurate illustration of what is being recorded or broadcasted, with these tools at hand.
This Marshall 5” DSLR camera field monitor operates off of the included power adapter or via battery power (4 AA) for usage in the field. With the given level of performance and versatility, this monitor is the perfect alternative to the often insufficient viewfinder and flip-out screens found on many of latest cameras.
The portable V-LCD50-HDI is the perfect companion for DSLR and video professionals seeking to capture their best shots. Don’t be fooled by sizes or higher screen resolution, the picture performance, customer service, feature set, and experience is the reason why the media industry’s leading videographers, photographers, cinematographers, film makers and camera operators prefer Marshall over the other monitors.
The V-LCD50-HDI 5″ monitor is with features found in more expensive models. This compact LED-backlit field monitor screen features tremendous picture performance and excellent viewing angles for the users who are simply looking for a portable, yet a versatile monitoring solution.
The V-LCD50-HDI offers standard features including a wide variety of formats and markers, RGB check field/field detect 4 user-configurable front panel function buttons, RGB gain, and bias control. Its major features include Marshall’s industry’s best false color and peaking filters, with the freeze frame, image flip, and HDMI auto color space and ratio detect.
The unit can be powered by a battery in the field using the box-included rechargeable 4 AA batteries or the power supply. It can also be powered using any one of 9 different optional battery adapters for even greater flexibility and portability. The bottom 1/4″-20 mount allows the lightweight unit to be mounted on most of the DSLRs, HDSLRs, cranes, and/or jibs.
* 1.2 MP 5” LCD screen
* The LCD panel features a brightness of 300cd/m2 and a 600:1 contrast ratio making the display perfect in a variety of environments and lighting
* Vertical image flip allows mounting the monitor in many positions of choice.
* Supports Multi-Format Compatibility
* End-to-End Digital Signal Processing
* The V-LCD50-HDI features an all-digital TFT-MP active matrix LCD system with 1.2 million pixels.
* Focus-Assist, False color filter, and other features
* It has Flexible Screen Markers
* User-Defined function buttons
|√ Great weight and size |
√ False color filter for exposure
√ Peaking filter for focus
|⊗ Power switch exposed to possible damage |
⊗ Without HDMI cable
You can now see UHD-resolution HDMI signals with the Ikan DH7 DSLR Camera Monitor. Presenting a 1920×1200 WUXGA IPS panel for accurate color and wide viewing angles, this field monitor has 4K-compatible HDMI connections that can accept and loop-output 4K HDMI signals without needing extra downscaling hardware.
As the DH7 can work with 4K signals, which have greater representation of fine details and edges, focus assist utilities, such as focus peaking and punch-in through 1:1-pixel mapping, are improved.
This field monitor screen is very thin as well as its 1/4″-20 threads on all sides, makes it easy to integrate into your DSLR or HDSLR or mirrorless camera setup. A convenient headphone output allows for audio monitoring direct from the camera’s HDMI signal. The field monitor features two swappable battery plates: one for Canon LP-E6-type batteries and one for Sony L-type batteries.
The Ikan DH7 Full HD monitor has the capabilities of supporting 4K HDMI and all of this amazing stuff is within a lightweight, affordable package. The 7″ monitor’s 1920×1080 HD resolution is when combined with an IPS screen delivers vivid color and strong viewing angles.
It can handle 4K signals from the most popular 4K HDMI cameras and offers two programmable feature buttons. It’s no surprise the DH7’s simple, practical design makes it the ideal choice for the filmmakers, cinematographers, photographers, and videographers prefer due to its size and weight for field production.
* It has a 1920 x 1200 Full HD Plus LCD Panel
* It can support DCI 4K Ultra HD HDMI Input and HDMI Output Signals (Loop Through)
* Has an IPS Screen for more accurate color & viewing Angles
* Histogram & Audio Level Meters
* Peaking, False Color, Clip Guides, & Pixel to Pixel
* Headphone Output
* Includes Sunhood
* Includes Canon E6 & Sony L Battery Plates
|√ Lightweight |
√ Picture quality and color rendering are excellent
√ Peaking and zoom can be used simultaneously
√ Very bright to be used outside and sharp
√ 2 customizable buttons for custom options
|⊗ Does not include carrying case |
⊗ No battery included
SmallHD‘s 501 HDMI On-Camera Monitor with 3D LUT features full HD resolution in long-lasting lightweight on-camera monitor measuring no bigger than a smartphone. The screen has 441 pixels per inch, which gives a crisp and sharp image on such a small screen.
It has HDMI input and output. With a ¾” thick rubberized aluminum frame, weighing about 9 ounces, it extremely durable, strong yet light enough to stand on to your camera without weighing it down. Small HD has designed an easy-to-navigate menu system with a built-in joystick.
There is a ‘Pages System’ developed within the system that allows you to make and keep up 8 preset configurations. The effects of the configurations on the image can be easily seen using the joystick to swipe between them.
The 501 supports 3D LUTs and can be saved as a configuration page too. A feature worth pointing out is that a configuration page setting can be applied to either the monitor’s screen, the output or to both at the same time. You can also ascribe a different setup configuration to the output and the monitor’s screen. You can fix the SmallHD Sidefinder to the 502 and use it as an EVF, SmallHD Sidefinder is excluded.
* The SmallHD 501 on-camera monitor features a Full HD 1920×1080 LCD and pixel density of 441 PPI.
* The 501’s LCD display produces 85% NTSC Color Gamut, which surpasses the color capabilities of OLED technology.
* The field monitor supports HDMI input and output.
* You can also put a 3D LUT to the monitor and see your video in real-time.
* The configuration page allows you to make up to 8 presets.
* Presets include 3D LUTs, focus and exposure aids, camera metadata etc. And once they’re created, you can select any preset simply by using the built-in joystick.
* You can see at max 3 presets displayed on the screen simultaneously. You can see the effect on the video too.
|√ Lightweight |
√ Nice, sharp, high color screen
√ Easy to use
√ Great focus assist
|⊗ Batteries and AC adapter not included |
⊗ Screen is very reflective
If you’re planning to step into the field of cinematography or you’re frustrated of the small viewfinder or the monitor on your DSLR, then getting the field monitor is the best option you can have. This is the right time to choose one of these DSLR field monitor screens as your companion in your pursuit to get the best output for your desired task.
But, before jumping into it and directly buying any one of these field monitors randomly, you must first understand your need. Any by need, we mean that how you’re going to use that equipment in a longer run. If you’re a beginner, you would feel inspired when you see the professionals working with large field monitors and creating amazing shots.
In the case when you’re not a filmmaker but want to be, you can start with something that is not so much expensive as you’d be on your own pocket if you’re in the initial phase of opting videography as your profession. Keeping in mind that there would be a lot of situations you won’t be getting in, so buying something that has a lot of features that you even don’t know or you don’t have such resources to utilize them to their max then there’s no point of getting such a techy stuff.
For example, you’d be shooting a skateboarder or a cyclist or simply taking a shot of girl playing in the ground etc. You certainly won’t directly go underwater or recording a high-speed car chase to get the most controls over the frame. For this, you must choose a DSLR field monitor that gives you a good enough resolution to see have a nice look of your frame, some basic controls like brightness, contrast or some presets, some basic input ports like HDMI or VGA and it is lightweight so you may carry it to any location to test and learn its use and you don’t have to arrange some heavy and expensive JIB to mount it.
If you’re already a professional and aiming towards an update, then getting something that is obviously better than your previous device is what you should do. But the point is to notice the things and specifications that must be better i.e. The battery should be more, or rechargeable. The screen should be easily visible on a bright sunny day. The resolution must not be less than 1920×1080. There must be multiple options for input and output signal other than simple HDMI.
To sum up, the best camera monitor is one that shows the perfect and sharp image in both daylight and low light conditions. What its showing must be at least 1080p along with some multiple options for input and output signals along with the audio jack for audio monitoring. The battery timing is the point where the field monitor must not lag behind.
The most important thing is that it should be touch-screen as the usability decreases down if you have to press buttons and dig deep into the menus just to increase the brightness. Taking notes of all these abilities and features, the next thing to ponder upon, is the price of the gadget. Like if you have all these things but the price is equal to for what you could buy a 600cc sports bike then we’d certainly suggest you to get the bike and enjoy its ride and rather try to convince yourself to the tiny 3-inch monitor of your DSLR. The next thing is the screen size of the field monitor that totally depends upon you own need. Well, bigger is always better but if you’re up for an adventurous journey and want to keep low the weight of your baggage then a small monitor of 5” would also work.
Obviously, the bigger screens also require a bigger and careful setup like JIBs etc. These are basic requirements for the best camera field monitor screen. Anything else than these, would be a plus. After carefully seeing every DSLR field monitor screen mentioned above as a package of features with good hardware, we finally reached to the point where we found the Marshall Electronics M-CT7 to be the best amongst the top 10 best DSLR camera monitor of 2017 as the whole package of good visual quality, strong hardware, and price.
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